Recommended

Four Tet: There is Love in You Music
Four Tet: There is Love in You
Ah Four Tet, king of the click, or pop click, clique, off the beaten blip of a tick...tock...dock? or sundry sampled warble, or what can I say? tough transition there for a while, ashes rising from the 2000 dot com crash, a reemergence from lazy house Dj-ing - when every Autechre release was so lauded and scrutinized, and people faux feigned an interest in Libeskind style architecture?…ha…I was digging the classic compositions of Four Tet (Kieran Hebden) and Aphex Twin, Mouse on Mars and Prefuse 73. Well…if uninitiated, god, maybe Tet's sound now is actually a bit retro (or re...de...fined, no apologies) - if not, it's a fucking warm bath (which incidentally I should do, now, take a bath, cause I can't keep any more info in my head....ha, "the first thing we do, let's kill all the lawyers"...I do remember that - almost mixed up Four Tet with Boom Bip, one of their remixers for a sec, similar, also quite good, whatevs, music is good. FT deserves better than I can pen.). -C.M.

Shining: Blackjazz Music
Shining: Blackjazz
Could say this is like the bastard step child of Albert Ayler or Miles Davis Bitches Brew era and um… Opeth? but it's something even weirder. I hate that I downloaded it too 'cause the album art is worth the admission itself. In brief, looking for something different and have wax to spare in yer ears? Try the darkly frenetic BPMs of Shining and their Blackjazz album. This may not be pure Norweigian Black Metal, but let's praise that blasphemy. -CM

The Lost Books of the Odyssey Book
The Lost Books of the Odyssey

Zachary Mason's first novel is a work of some detached genius, really a series of vignettes and imaginative retellings, reinterpretations, and reimaginings of the story of Odysseus, wrapped up and masked as a novel. The stories are not limited to the "lost books" of the Odyssey, the essence of which Mason states in the preface are a translation of papyrus comprising “44 concise variations on Odysseus’ story that omit stock epic formulae in favor of honing a single trope or image down to an extreme of clarity," but rather explore the fates of Achilles, Patroclus, Agamemnon, and Polyphemus the Cyclops, the story in which Odysseus is portrayed as nothing more than a crook and low-rent deceiver who takes advantage of an otherwise, after some initial misunderstanding, gracious host. In "The Iliad of Odysseus," Mason turns the hero into a bard, a feeble man talented at archery but useless at a soldier's close combat, instead slinking away during the apex of battle, inventing lies about himself as a hero along the countryside until the songs he invents eventually return to him. It's a short novel, but Mason's work is well worth the time. -MKL

Events

Wednesday, March 10, 10
MUSIC Black Rebel Motorcycle Club san francisco
MUSIC Quasi san francisco
MUSIC The Magnetic Fields ny
ART/DESIGN MOCA's First Thirty Years la
ETC. Whale Watching Cruise la

Blog

Tuesday, Mar. 9

Watch this video from Larkin Grimm

Thursday, Feb. 25

Everything is Bigger in Texas Except...

Friday, Feb. 12

Oscars are coming, but Valentines first. Cook some Child!

Tuesday, Feb. 2

Underground Lobster Lair in Greenpoint

more news...

Film

Tastes Good Still? Oscars 2010

Benjamin Strong

03.08.10

We are so bitchy we'll never get any star interviews...oh well. As Ben Strong elucidates: "The Oscars exist for the sole purpose of Hollywood’s identity maintenance." But the Academy didn't need Avatar to win to prove anything to itself. 'Cause The Hurt Locker "more closely resembles Hollywood’s image of itself than do blue people." Alas, it ended with historic precedents. And George Clooney had a hockey haircut, ha....and Ben Strong gives Fanzine's annual second take opinion on the event. (What we are hoping for in the future? I'm not sure…but I wouldn't mind seeing Rob Lowe take another stab at some song and dance, cracked out Disney style. -CM)

Film

From Party Animals to Gilt Queens to a New Hollywood Dame: Oscars 2010

Kevin Killian

03.08.10

Some changes in the Oscars over the years, and especially this year - 2010 sees 10 best picture noms as opposed to 5, a woman winning best director, and no gilded Miramax flick in the bunch, right? Except that “damned Helen Mirren” still got unwanted attention from co-host Steve Martin. Kevin Killian notes what has changed and looks back on a man who maybe got the Oscar show rolling in a new direction long ago, Allan Carr, who once ruled the Hollywood party scene and blew it all on a weird Snow White night. There’s a new book out about him by Robert Hofler called Party Animals: A Hollywood Tale of Sex, Drugs, and Rock and Roll.

Film

Kim Ji-woon's Tale of Two Sisters

Emily Carter

03.03.10

Alfred Hitchcock either popularized or created the term "MacGuffin" to describe any highly valued object that sets the plot in motion: the ticking bomb, top secret microfilm or the stolen necklace. Is it a stretch to say that in a romantic comedy, the completion of the romantic union is a type of MacGuffin? U.S. films often trot out romantic or sexual union as kind of plot device, while several Korean films I've seen seem to use the re-completion of the family unit as one of the central concerns. Director Bong Joon-ho's excellent 2006 swamp monster film, The Host revolves around a family getting their daughter back after she's been eaten by a giant mutant squid and dragged into the sewers. (Fittingly, Bong's latest film which opens next month is titled Mother.) Kim Ji-woon's particularly unpleasant depiction of "blended" family life, oddly helped Emily Carter, author of Glory Goes and Gets Some, to heal the wounds in her own.

Poetry

Kay Ryan: The Best of It

Aneesa Davenport

03.02.10

In July, Kay Ryan was appointed the 16th U.S. Poet Laureate by the Library of Congress. It's a sudden change for a poet, whose reclusiveness has earned her comparisons to Emily Dickinson. For the last 33 years, Ryan has quietly taught remedial English for as an adjunct professor at a California community college instead of accepting an tenure track position leading writing workshops. Although critics claim that her poems haven't changed much over the years, writer Aneesa Davenport explains that "They are like hard little diamonds, each brilliant but cut only slightly differently."

Music

A Boy Named Xiu

Mark Gluth

02.27.10

Xiu Xiu’s first album, Knife Play, felt new, an eye opening reconfiguration of so many thoughts, desires, and influences that it sounded like music you’d heard before, the way a platypus looks like an otter. As their career has progressed over a multitude of releases and side projects they have both refined and expanded their sound and lyrical obsessions. Dear God I Hate Myself, their latest full length, is available now. Mark Gluth is the author of a new acclaimed novella, The Late Work of Margaret Kroftis, on Akashic’s Little House on The Bowery series.

Art

Self-Erasure: Banksy Hunting in Utah

Rob Tennant

02.25.10

As Salinger's recent death reminded us, a quest for invisibility magnifies a certain type of public fascination. During the lead-up to this year's Sundance Film Festival –– where Exit through the Gift Shop, a film by/about British graffiti artist Banksy was set to premiere –– there were rumors he would unveil his identity, and then works resembling his began to appear around Salt Lake City and adjacent areas. Rob Tennant tells the story with an eye for the role of new media as an archive of ephemeral street art and with the patience to psychoanalyze his hometown. Photos by the author.

Fiction

The Lever

Jim Ruland

02.24.10

Jim Ruland is the author of the short story collection Big Lonesome, a recurring contributor to The Believer, and the host of the irreverent reading series Vermin on the Mount at the Mountain Bar in L.A.'s Chinatown. Ruland lives in San Diego and has family on both sides of the national dividing line. His story "The Lever" reflects life in a border town during the current narco-conflict and how even those who aren't causing the violence may begin to feel culpable. Accompanying image by Eugene Delacroix.

Art

Inspirational Critique: a conversation with Malik Gaines and Alexandro Segade of My Barbarian

Jesi Khadivi

02.15.10

I first saw My Barbarian perform as the grand finale of Liz Glynn's "24-Hour Rome Reconstruction Project (or Building Rome in a Day)" at Machine Project here in Los Angeles. Compressing the 1200 year history of ancient Rome to 24 hours, participants built an impresive scale model of the city, from cardboard and hot glue until at the stroke of midnight My Barbarian arrived in the role of Visigoths to sing and perform while participants destroyed the replica they had spent all day creating. This is just one of the many historio-critical-performative-collaborative projects My Barbarian (Jade Gordon, Malik Gaines, Alexandro Segade) have been a part of. Jesi Khadivi, curator of Berlin's Golden Parachutes gallery, interviews. -BB