ART
Entrance Wounds: Richard Foreman’s Deep Trance Behavior in Potato Land
Thom Donovan
04.01.08
Richard Foreman's productions from his ontological hysterical theater are experiences of ideas, rather than psychodramas. Difficult to surmise (and harder to blurb), Foreman's most recent play Deep Trance Behavior in Potato Land delves further into the director's - of late - multimedia fancy. Orient yourself here with Thom Donovan's review, then if you can, go see the play (which has been extended til April 27th) where you can expect to be disoriented (orientalist pun?...sic).
Every Name in History is I: Catherine Sullivan’s Triangle of Need
Thom Donovan
03.08.08
Thom Donovan dissects the work of Chicago-based visual artist Catherine Sullivan, examining the recurrent themes of Nietzsche that appear throughout the narratives of her projects. Her films and live-action performances have been described widely as "anxiety-inducing" and "disorienting." Unsettling, to say the least, she forms much of her work as a critique of acceptable and ordinary behavior in modern society. Donovan examines three of her major works: Triangle of Need, The Chittendens, and D-Pattern. All images courtesy of the artist and Metro Pictures.
Desire in Syracuse: the 'Come On' Controversy
Yvonne Olivas
11.07.07
This piece shouldn’t require a subtitle with the word “controversy” in it; it should simply be about three talented artists’ work. But alas, the exhibition in Syracuse titled "Come On: Desire Under the Female Gaze" recently drew headlines when its curator Astria Suparak was fired following the show’s opening (and huge success). Yvonne Olivas talks to artists Juliet Jacobson, Rachel Rampleman, Jo-Anne Balcaen, and curator Astria Suparak about the art involved and what exactly happened in the wake of their recent exhibition.
Barry McGee: Mature Works
Zoey Mondt
10.12.07
Have this funny feeling we'll get some flak for this review. What with our magazine's seeming anarachic name and all that it implies. But what the hell, Ms. Mondt says what needs to be said here about Mr. McGee's 'Mature Works' and the art establishment that bottom feeds off so called Lowbrow or Street Art.
The Programmatic Premlinary Proud Difficulties with Richard Prince
Darren Bader
10.03.07
Darren Bader grapples with New York's Guggenheim exhibition of Richard Prince, Spiritual America. Is Prince the punk hero of appropriation art who has spiritually defined this country? Or just another Rauschenberg (et al) for Pete's sake?