COLUMNS
FANZINE: Most of the younger folks getting involved in porn immediately jump into the alt or punk realm. You, though, hooked up with Belladonna, likely the most sexually adventurous mainstream porn actress. Are you at all attracted to alt porn as a concept or a career path? My own personal opinion is that on a general level it's fairly generic porn with different costume design. Someone like Jack The Zipper’s really interesting—he transcends the basic tropes.
GREY: Honestly, the only “alt porn” I have seen is the Suicide Girls stuff. I do agree that they take interesting visuals and the product becomes the same run-of the-mill soft-core scene. Alt-porn should not just be soft-core but a melting pot of many sexual beings, or characteristics––hence the word “alt.” As far as my own career path, I don’t wish to follow one genre, belief, or idea… I would like to work with Joanna Angel. Maybe I can convince her into some Misfits shit.
FANZINE: You entered the business at the top really—shooting your first scene for The Fashionistas 2. What was it like stepping immediately into a major production?
GREY: It was amazing; I never imagined that I would be a part of a major project like this so early in my career. It was such a great honor to be able to work with John Stagliano and all of the performers. It was wonderful to stand aside professionals who love what they do and take it seriously.
FANZINE: The last one nabbed so many AVN awards. And working with Rocco Siffredi? I've yet to see your scene, but know he can get pretty rough. You've mentioned being into rough sex––still, was it intimidating?
GREY: Well, that wasn’t even supposed to happen, but Rocco will take what he wants if he sees something he likes. I was nervous the whole day, but right when I slid his cock into my mouth all of those butterflies went away, and my pussy instantly got wet.
FANZINE: What's the difference between shooting something like, say, The Fashionistas and a shorter, lower budget scene for something like Frat House Fuck Fest? Do you approach the scene differently?
GREY: The main difference is that The Fashionistas is dramatic, intense, and fascinating; while Frat House Fuck Fest is supposed to be real. My focus is intense, but I take into account what is supposed to "really" be happening.
FANZINE: You just did your first gang bang scene—you and fifteen guys. Daunting?
GREY: No, I was well prepared mentally and physically. It had its banal and frustrating moments but it started strong and ended strong. You'll have to see it to get the rest of the nectar!
FANZINE: Ever work with someone you didn't find attractive? I imagine you have. How do you deal with that?
GREY: Of course I have, but I'm concentrating on the dick and my performance I can get off even if the person is unattractive. It is my job to overcome obstacles like this.
GREY: Honestly, the only “alt porn” I have seen is the Suicide Girls stuff. I do agree that they take interesting visuals and the product becomes the same run-of the-mill soft-core scene. Alt-porn should not just be soft-core but a melting pot of many sexual beings, or characteristics––hence the word “alt.” As far as my own career path, I don’t wish to follow one genre, belief, or idea… I would like to work with Joanna Angel. Maybe I can convince her into some Misfits shit.
FANZINE: You entered the business at the top really—shooting your first scene for The Fashionistas 2. What was it like stepping immediately into a major production?
GREY: It was amazing; I never imagined that I would be a part of a major project like this so early in my career. It was such a great honor to be able to work with John Stagliano and all of the performers. It was wonderful to stand aside professionals who love what they do and take it seriously.
FANZINE: The last one nabbed so many AVN awards. And working with Rocco Siffredi? I've yet to see your scene, but know he can get pretty rough. You've mentioned being into rough sex––still, was it intimidating?
GREY: Well, that wasn’t even supposed to happen, but Rocco will take what he wants if he sees something he likes. I was nervous the whole day, but right when I slid his cock into my mouth all of those butterflies went away, and my pussy instantly got wet.
FANZINE: What's the difference between shooting something like, say, The Fashionistas and a shorter, lower budget scene for something like Frat House Fuck Fest? Do you approach the scene differently?
GREY: The main difference is that The Fashionistas is dramatic, intense, and fascinating; while Frat House Fuck Fest is supposed to be real. My focus is intense, but I take into account what is supposed to "really" be happening.
FANZINE: You just did your first gang bang scene—you and fifteen guys. Daunting?
GREY: No, I was well prepared mentally and physically. It had its banal and frustrating moments but it started strong and ended strong. You'll have to see it to get the rest of the nectar!
FANZINE: Ever work with someone you didn't find attractive? I imagine you have. How do you deal with that?
GREY: Of course I have, but I'm concentrating on the dick and my performance I can get off even if the person is unattractive. It is my job to overcome obstacles like this.











