Detractors of the filmmaker Gus Van Sant often cite the prurient approach he takes to his pet subject, teen angst. And indeed in Van Sant’s new film, Paranoid Park, a high school skateboarder struggles with, among other things, his sexuality. But the flesh of newcomer Gabe Nevins (whom Van Sant cast via MySpace) isn’t the only thing being leered at. Van Sant also exploits skateboarding.

When Van Sant was interviewed recently by Blake Nelson, the author of the YA novel on which the film is based, Nelson asked the director whether he felt any kinship with the sport. “I had been a skateboarder in the ’60s, which was a long time ago, but I didn’t think that it was so much different,” he said, adding that in 1978 he worked on a movie where he “met the skaters of that time.”

Van Sant’s comments were doubly illuminating. First, few things will so readily invite derision from a skater as the old timer who brags about how he used to rip. More tellingly, the 1978 picture to which he refers—a PG-rated vehicle for Tiger Beat pin-up Leif Garrett called Skateboard: The Movie (That Defies Gravity)—was one of Hollywood’s pioneering attempts to turn a fast buck off what was then an emerging subculture. In a presumably unwitting ironic twist, the plot concerns a combovered codger manipulating a trio of skaters for profit.