Blog

Events

Tuesday, February 7, 12

At War with Truong Tran   - san francisco
FaceTime   - ny

BLOG

Friday, Apr. 30, 10

Impermanence Opening at Hendershot Gallery

 

Former Barcelona resident, Fanzine contributor and Fanzine buddy Jess Shaefer just got a new gig as gallery director at Hendershot Gallery on the West Side and they're having an opening tonight. Impermanence—it's her first as gallery director and it's a group show featuring the work of Boukje Janssen, Iosef Király, Sanja Medic, Ana Maria Micu, C?t?lin Petri?or, Victor R?c?t?u, Kathrin Schlegel, Vera Weissgerber, and Carine Weve. The artists hail from across the lands of Europe—Romania, Holland, Serbia, Germany, and Luxembourg. Jess sent me the following press release:

The notion of impermanence, of a shifting world in flux, has taken on a profound meaning in the post-war period, one that is particularly timely in the international climate of the post-9/11 world. In Eastern Europe, especially in post-communist countries such as Romania, “impermanence” characterizes a common feeling of fatalism, uncertainty, and endemic precariousness. In Western Europe and America, the same notion evokes a sense of liberation as well as anxiety, for it represents the possibility of escape from the rigidity of formerly fixed social, cultural and political meanings, paradigms that have been rendered ambiguous, if not null and void, by the upheaval of recent history.

Having approached the forefront of the art world in recent years, contemporary Romanian art has gained exposure and momentum through major gallery and museum exhibitions, as well as through the efforts of curators such as Maria Rus Bojan, who has been instrumental in the collaborative organization of this show. Generally characterized by the smoldering aesthetic darkness of its pared-down realism, contemporary Romanian art is most often discussed in political terms, with curators, critics, and viewers attributing the contemporary Romanian creative impetus to the turmoil of the country’s turbulent, violent history; Romania’s clichéd past appears to overshadow its present on the global stage. While such a view may be partially valid, to restrict the assessment of contemporary Romanian art entirely to such cultural specificity is to clip its wings. To this end,
Impermanence proposes the productive and worthwhile use of a more universal lens in the (re)consideration of contemporary Romanian art by placing it in a pertinent dialogue with works that arise out of different European cultures, but which ultimately share a common creative interest.

Indeed! Check out Hendershot Gallery at 547 W. 27th St., Suite 504 and give a hello to Jess while you're at it. The show runs through June 10.

—mkl

Wednesday, Apr. 28, 10

Blake Bultler gets honest (and funny) on weight/body control

Just got up and read this, after spending a couple of days trying to be a bit healthier, so it comes at the right time. I comment lengthily on it, I guess if my comments are approved. But this site I just stumbled upon this morning is rad, WE WHO ARE ABOUT TO DIE (yes the T is left off of DIE...and yes thanks FB (you know what) for that. The stumbling upon. Cheers to Butler and the editors of this blog, from where the pic and clip is from, below. -CM

Tuesday, Apr. 27, 10

Reboots uniting parents and children: pop-cultural apologism

I've often wondered if remakes and reboots are timed about a generation apart in order to hit two demographics at once. Parents and children agreeing to see the same movie because the parents grew up with it and now it's marketed to the kids as the summer blockbuster. The average childbearing age for women in the U.S. circa the 2000 census was 25.1 years old. Not sure what it is for fathers. Two years older? A popular industry buzzword at the moment is the "four quadrant film" -- a movie that covers four basic segments: young, old, male, female -- and a sequel would seem to take care of at least two of those.
 

Does 25 years do it? Tron was first released in 1982, plus 25 years is 2007 and will be released in December of this year. Transformers were originally launched in 2004, making the parentally optimum reboot year 2009. It actually landed in 2007. Star Wars: 1977 + 25 = 2002. Actual reboot: 1999. It makes me think of Logan's Run out (1976) with the blinking crystal in the hand after 30 years. Do movies begin blinking after 25 years ready to be rebooted? Ech. Well, the truth is I had to be pretty picky in my data collecting. For example the remake of Logan's Run itself will come out in 2012.
 


 

It all reminds me of the Simpsons episode in which Bart desperately wants to see the Itchy and Scratchy movie and after he repeatedly misbehaves Homer forbids him from going and Bart despairs as every other kid from his class watches the film. The episode concludes years and years later in a futuristic city in which an aged Homer and an adult Bart walk past a rep theater where the film is playing, decide to go inside and happily watch it.
 

So while the remake is not the most inventive of movies, there's something a bit like oral storytelling about it. The story gets repeated from one generation to another, each time with some changes. My own father is convinced that demographic marketing actually serves to distance generations and groups from each other. By separating out the market groups, the media actually further separates social groups its targeting. (Thomas Frank's excellent Conquest of the Cool talks a bit about this and how the prototypical 1960s generational conflict is necessary to and eternally recapitulated by, um, do we still call it Madison Avenue?) Reboots would seem to be an occasion in which young and old unite around a shared item of media and an old story is retold.  -BB


  

Sunday, Apr. 25, 10

Check Out 'Cop Piece' in Greenpoint

 

We dig the Lilac Co, a Greenpoint, Brooklyn group of players. See Thom Donovan's review for one of their productions, Hamlet House.  Now come back and check out their latest, Cop Piece. Hurry, it's in its last days. April 30 and May 1.

Tuesday, Apr. 13, 10

Tribute video for Robert Culp

 

This is a still image I took from the tribute video for Robert Culp's memorial service this past weekend at the Egyptian Theater in LA. I missed it of course, much to my regret, but a friend pointed me to this video. It's quite well done with a very fitting soundtrack. See the full video here. So long, buddy.

—mkl

 

Monday, Apr. 5, 10

iPad anyone? I still like Kindle (for iPhone Mind You)

For those of you doubting the iPad, who say it’s just a big iPhone or an Apple Kindle - Jimmy Chen, at htmlgiant, I am thinking of you on the Kindle criticism, which I couldn’t agree with more. That horribly designed thing, with its non-backlit gray screen reminds me of playing Oregon Trail on the first PC I ever used back in fourth grade.

 




Well Hmmm, wanted to show an example but this picture has color, maybe that’s an advanced version of the game or our monitors were in black and... oh wait, it was green and black. Those binary colored screens.


Lately I have been trying to find ways of reading while my hands are tied. Books, even as crafty as you can be with them (NY Subway riders take pride) usually take 2 hands now and then (can flip pages with your mouth but that gets old, even nasty at times), and with my wife breastfeeding our 6 week old, it’s hard to read books when you have a baby on your stomach, trying to keep him calm and entertained/engaged (been trying to teach him to count with his hands, it's subconscious at this age) in between feedings and diaper changes. So lately I have resorted to getting much of my book time in on my iPhone. I’m either downloading audiobooks and listening to them, though that takes a lot of stopping and rewinding when you don’t have full attention to give.  But I also remembered that I have a downloaded Kindle app for iPhone, which, as opposed to the Amazon version, is a helluva deal (free on the iPhone...and whoah, $249 freaking dollars for the Amazon physical version?





Again, aesthetically, the $249 Amazon Kindle (pictured above) looks like an accessory Lucas people would have made for Stormtroopers back in the 70’s. But the big problem is not aesthetics, it’s the functionality of the design. Which the app version overcomes. I’ve loaded up my iPhone Kindle app with tons of free to almost free classics and other books I figure I’d like to have handy the next time I get dropped off somewhere like a deer stand on a cold dark morning and (look I’ll skip the politics of that but) would rather pass the time reading something than straining my eyes in the mist looking for horn points before the sun is officially up to shoot something.


Which brings me to my point. The cool thing about reading on the iPhone Kindle app is you can do it one handed, in complete darkness; it even saves your place for you when you have to hop up and change a diaper or shoot a deer or something (my Vegan friends bear with me). Which is very handy. And with the small format on the phone you are less likely to get distracted (you can’t see other apps when this one is open)...so you just read on, flip the pages with a touch of the right side of the screen.




Now I’ve been savoring new ones and rereading books like Moby Dick, Infinite Jest, Ulysses; and even Ugly Man by Dennis Cooper, The Quorum by Joshua Cohen, and Blake Butler’s Scorch Atlas have their Kindle versions. And I have to say, the more intense the writing the better it is for this format. Okay you lose some of the fancy layout formatting that comes in some postmodern writing, but you can concentrate better on little chunks of words, the poetry of the language so much better this way... I used to love to read by candlelight in Tulum, Mexico in a cabana with no electricity. Your soul sort of falls into the book. It’s magical.


And I swear I’ve felt a similar thing trying to stay quiet as my son sleeps on my my chest and my wife gets her winks in and I stay up all night reading David Foster Wallce in complete darkness 'cept for the words glowing on my phone.


Now I’ve ordered the iPad (I’m a sucker for all things Apple) and I’ll tell you the reasons why. A) I’ve been waiting for a way to get wireless (not just wifi) 3G coverage for a Mac computer for forever and nothing has seemed to work quite right. They say they might switch to Verizon soon and I am imagining they will as you don’t have to sign up for a long term data contract for the iPad 3G. So I figure, here's the solution on that. Can finally go out to my dad’s place on the lake in Alabama and edit a Fanzine thing if I want (wait a sec...okay hopefully I won’t be able to, but if I HAD TO...). B) People keep saying this is like a big iPhone, but they haven’t realized what apps with touch capabilities can accomplish on a larger screen. All those neat instrument apps the iPhone has? the mini grand piano, the guitar, the dj mixers, that Brian Eno thing?  Well you’re gonna get as I mentioned before an actual usable backlit e’reader with huge words that can be read in bed without waking up your lover, or whoever, and a few hundred instruments in hand, that can be played, beat on, swiped, etc, so you can wake that person up when you want.





And...
I could keep on about games and streaming TV and whatnot and that’s what makes me nervous about getting one. I’ve finally gotten used to the simplicity and non distraction of the Kindle App for iPhone, and suddenly I’m gonna have this helluva e’reader with a helluva lot of distractions. Plus IT'LL TAKE 2 HANDS TO OPERATE! And remember, the nice things about a laptop is.... you can CLOSE IT. An iPhone, you can put it in your pocket. But this?...well we'll see it's overall value soon enough (mine ships by May).


One thing I am betting on for sure is the iPad will be much better at extracting money from you than the iBook or iPhone combined. But I imagine you'll be buying more books than Britney Spears on this etablet. Will it save the publishing industry? I'm not gonna go there (print, like Vinyl records, is undergoing its own kind of renaissance now), but I don't think it'll hurt writing, writers and readers one bit, but just the opposite; I'm calling a boon.


Still, weird as I am, I might miss reading on the phone -CM


Thursday, Apr. 1, 10

Lebanese Man To Be Beheaded For Witchcraft

Oh I had you going....!!! April Fools!


See here.


Unfortunately, psyche, it's real, what a bummer. But hey those Saudi homies don't play...(can I keep this laugh track going, with ghetto fabulous slang? probably not.) Oh well, it's just the first Thursday of the Month, terrible shit happens everyday. Only today we can be super ironic and a tad less guilty about it!


Where's my Hary Potter books I never read? I will read them now in support of the condemned man...um...booyah....ughh. I might vomit....Nah! CAUSE IT"S APRIL FUCKING FOOLS! COME ON GUYS! PINCH ME I'M IRISH.


Write Amnesty International. Somedays I hate blogging...


-CM